An Estimated 146,000 Americans Died Of Lung Cancer In 1992, And 90 Per

An estimated 146,000 Americans died of lung cancer in 1992, and 90 percent of these deaths were caused by cigarette smoking. Smoking is responsible for about 30 percent of all cancer deaths annually in the United States more than 155,000 each year. If smoking-related cancers could be eliminated from our society, we would see a significant decline in the annual cancer death rate instead of small but steady increases. Since 1964, the year of the Surgeon General's first report on the health risks of cigarette smoking, strong evidence of the association between smoking and cancer has accumulated. Countless studies have proved that smoking causes lung cancer, and we now know that it substantially increases a person's risk of developing cancer of the larynx, pharynx, oral cavity, esophagus, bladder, kidney, and pancreas. Additional studies suggest a strong association between smoking and cancer of the cervix. The risk of developing lung and other smoking-associated cancers is related to total lifetime exposure to cigarette smoke, as measured by the number of cigarettes smoked each day, the age at which smoking began, and the number of years a person has smoked. Likewise, the risk of developing other smoking- related diseases, including chronic lung diseases and coronary heart disease, also increases with the amount of smoking a person has done. The health risks associated with cigarette smoke are not limited to smokers: exposure to environmental tobacco smoke (ETS) significantly increases a nonsmoker's risk of developing lung cancer. (ETS is the smoke that nonsmokers are exposed to when they share air space with someone who is smoking.) The U.S. Environmental Protection Agency (EPA) released a risk assessment report in December 1992, in which ETS was classified as a Group A (known human) carcinogen a category reserved for only the most dangerous cancer-causing agents. The EPA report estimates that ETS is responsible for several thousand lung cancers in nonsmokers each year and, perhaps equally important, links ETS exposure with severe respiratory problems in infants and young children. The good news is that a smoker's risk of developing lung and other cancers can be reduced by quitting. The risk begins to decrease immediately after quitting and continues to decline gradually each year. Another benefit is that the risk of developing other cancers and chronic diseases associated with smoking is also reduced. The risk of coronary heart disease, for example, declines substantially within only a few short years following cessation. Women who quit smoking during the first trimester (3 months) of pregnancy substantially reduce the risk of such adverse pregnancy outcomes as low birth weight or stillbirth.

Which Short Haircut for Women Fits You 13 Great Hairstyles

Which Short Haircut for Women Fits You 13 Great Hairstyles SAT / ACT Prep Online Guides and Tips You’ve poured over hair inspiration Pinterest boards. You’ve photoshopped celebrity haircuts onto your head. You’ve pinned up the ends of your hair to make a faux bob. And you’ve decided: it’s time to get a short haircut. Women are often nervous to crop their locks, even once they’ve made up their mind to take the plunge. You might worry that the cut you choose won’t flatter your face or will be impossible to style. You could be concerned about grave miscommunications with your stylist. Well, worry no longer! In this guide, we’ll break down everything you need to know about short haircuts for women. What should you consider before going short? How do you pick a style flattering to your face shape and hair texture? What short hairstyles for women are even out there? And what cute hairstyles for short hair are out there once you do have shorn locks? It’s all here in this comprehensive guide. Why Go for Short Hair? Especially if you’ve worn your hair long all your life, cutting your locks short can seem like a big step. So what are some of the potential advantages to short hair for women? Unique Style Not very many women rock a short cut, so cutting your hair short will help you to stand out in a crowd. If you like being a little bold and unconventional, a short haircut for women could be for you! By contrast, if you aren’t comfortable with people paying extra attention to you because of your haircut, it may be best to stick with something more conventional (like a lob or shoulder-length cut at the shortest). Show Off Your Face Short haircuts for women really show off facial features. If you feel like your face is always getting lost in a cloud of hair, consider chopping it off. Lower Maintenance (Sort Of) Short hairstyles for women can definitely shorten showering times! Additionally, if you have a wash-and-go style that doesn’t require a lot of styling, you can get out the door faster and spend less time doing your hair overall. However, you will probably need to get trims more often. Furthermore, if you choose a cut that requires a lot of styling, you’ll still be spending a lot of time making your ‘do look ready to go every day. Your Head Will Feel Lighter! This is no joke- if your head’s feeling heavy or you find yourself always pulling hair up out of your face, a short haircut will help your head feel lighter, and you will just be generally less overwhelmed by hair. Show Off Your Hair Texture Short haircuts for women can be a really great way to show off the natural texture of a woman’s hair, whatever it is. Many women with longer hair engage in lots of styling every day to conceal their natural texture. But short hair can really show off a wave or curl or voluminous or thick hair to great advantage. Show off curls with a short cut! Look Taller Women’s short haircuts draw the eye upward to the face. This can make you look taller. A longer haircut draws the eye downward, which makes you look shorter. Versatility Short hair is incredibly versatile. It’s true that you won’t be able to get your hair into Game-of-Thrones braids or complicated updos. However, short haircuts for women make up for this through their sheer versatility in other ways. Without too much styling effort and the judicious deployment of hair accessories, short hairstyles for women can be polished, fancy, punk, professional, sleek, messy, and so on. Drastic Change Maybe you just feel like getting a drastic change. If you’re stuck in a hair or style rut and you are looking for a reason to transform your look, a short haircut could be just the thing for you. However, if this is a spur-of-the-moment decision because you just went through a layoff, a breakup, or other major life upheaval, consider waiting a few days to see if you still want to chop it all off. It comes off much faster than it grows back, and if you still want the wild cut in four days when your emotions have cooled, you’ll still be able to get it. Pulling Off Wilder Hair Colors It’s a little easier to pull off wilder hair colors (think anything not found in nature) with short hair, simply because the punch of unnatural color is by definition subtler with shorter hair. Not that there’s anything wrong with a bold hair color statement, but depending on your lifestyle and profession, you may have an easier time getting away with a purple pixie cut than a long mane of purple. Plus, if you dye the hair yourself, it’s much easier (and cheaper) to maintain a rainbow-brite hair color on short hair. If your heart is set on striped hair, consider going short. 6 Considerations When Choosing a Short Haircut If you do decide to go short, there are several things you need to consider in order to choose the best short haircut for you. Face Shape Your face shape goes a long way in determining what short hairstyles for women will look best on you; see the next section for tips on determining your face shape. Hair Texture Hair texture also determines what cuts will look good on you. Super-curly girls may have trouble with the shortest cuts. Short hairstyles for fine hair or straight hair may need layers for added body. Short haircuts for thick hair should play up the hair’s thickness without creating a look that’s too blunt or boxy. We’ll go over hair texture in more detail later on in the article. Time for Styling and Maintenance How much time you have for styling and hair maintenance is another big factor in what short style you should get. If you don’t have a lot of time to style in the mornings, it’s doubly important that your style is wash-and-go and works well with what your hair naturally does. If you don’t mind styling, you can get away with more haircuts, but you could be spending a lot more time in front of the mirror! Also, the shorter the cut is, the more often you’ll need a trim to maintain it. If you don’t want to be in the salon every 4-6 weeks, consider a longer bob or a lob that can grow out a little before needing another trim. Are you prepared to spend a lot of time looking at styling tools? Your Job Does your job have a stated or even implied dress code? Those in more staid professional fields may want to stay away from wilder women’s undercuts or especially punky styles. If you’re in a more creative industry, you may be able to get away with a more extreme look! Let the hair of your coworkers and managers be your guide. Do they have similar styles to the one you’re getting? And if you aren’t sure, tell your boss you are considering x haircut and you want to make sure it’s office-appropriate before going through with it. Personal Style Choose something that won’t clash with or overwhelm your personal style, both makeup and clothes-wise. For the most part, if you like it and it’s flattering, that means it probably works with your style. But you should consider if you want to match your dress and makeup style or contrast against it. For example, if you’re a bold dresser, will you feel like you’re calling too much attention to yourself if you get a head-turning, razored pixie haircut? If yes, consider a simpler style like a classic bob. By contrast, if your style relies more on neutrals and classic structures, you might want to get a more textured and loose style to contrast, or a more austere style to match. Age You might think age is an important factor in what short haircut for women you choose, but it’s not. Women of all ages look fabulous with all different kinds of short cuts. Short hairstyles for older women can be fabulous! Just look at Dame Judi Dench, Tilda Swinton, Helen Mirren, and other older actresses: they show that short hairstyles for women over 50 are a definite do! Pick something that you like and that flatters you, and don’t worry so much about whether or not it’s age-appropriate. Some styles are timeless...and ageless. How Do I Find My Face Shape? Knowing the shape of your face is critical in choosing which of the short haircuts for women will flatter you the most. Face shape is primarily determined by the length and width of your face, your jawline, your cheeks, and your forehead. All face shapes are beautiful. But they tend to be suited to different hairstyles! Read the descriptions to see which face shape sounds the most like you. If you aren’t 100% sure, you could also consult some friends and family. If you’re still not sure, you can measure your face, although this probably isn’t necessary for most people. We’ve listed the six main face shapes following. Of course, not everyone fits squarely into one category- maybe your face is longer like an oblong face, but you have a strong jaw like a square face. In this case, take the advice from each description that best applies to your face and don’t get too hung up on fitting into one distinct â€Å"type.† Oval Face In an oval face, the forehead, cheekbones and jaw are of about equal width. Your face is about 1.5x longer than it is wide, and the line of your jaw is not particularly sharp. Almost any haircut flatters the oval face! Celebrities with oval faces: Olivia Munn, Jessica Biel, Beyoncà © Beyoncà © by Jennette F. Everett. Oblong or Long Face A long face is similar to the oval face, but your face is more than 1.6x longer than it is wide. People with long faces tend to have high foreheads. Women with long faces look great with bangs and can pull off styles with a lot of volume around the sides of their face. However, they aren’t as flattered by long, straight styles or anything with a lot of volume or height up top. Celebrities with oblong faces: Liv Tyler, Carrie Underwood, Kim Kardashian Carrie Underwood by Dephisticate. Round Face In a round face, the cheeks are the widest part of the face, and the line of the jaw is somewhat soft. The round face is also about as wide as it is long, or only a little longer than it is wide. Round faces look best in hairstyles that add volume at the crown or create length. The best short hairstyles for round faces won’t add too much volume at the sides of the face. Celebrities with round faces: Jennifer Lawrence, Ginnifer Goodwin, Chrissy Teigen Chrissy Teigen by David Shankbone. Diamond Face Like a round face, in a diamond face, the cheekbones are the widest part of the face. However, the diamond face has particularly defined cheekbones, as well as a tapering forehead and somewhat angular jaw. This face shape also tends to be longer than it is wide. Because of their smaller foreheads, diamond-faced ladies need to be careful with bangs as they can easily overwhelm the face. Styles that show off the cheekbones and aren’t too severe will be best for diamond faces. Celebrities with diamond faces: Ashley Greene, Anna Kendrick, Vanessa Hudgens Anna Kendrick by David Shankbone. Heart Face The heart-shaped face has a high, wide forehead and a narrower, sharp jaw (like a heart). Chin is pointed. This face shape is usually longer than it is wide. Short hairstyles for women that are softer around the sharp jawline, especially those with some volume around the jaw, are generally best for heart-shaped faces. Bangs are also often very flattering on this face shape. Celebrities with heart-shaped faces: Reese Witherspoon, Scarlett Johansson, Kerry Washington Scarlett Johansson by JCS. Square Face The square face has a strong jawline about the same width as the forehead. Square-faced ladies usually look best with softer or more delicate styles to provide a striking contrast against the angular lines of their faces. Those with square faces generally want to avoid cuts that end right at the jaw. Celebrities with square faces: Keira Knightley, Olivia Wilde, Lucy Liu Keira Knightley by Andrea Raffin. How Do I Find My Hair Texture? There are three facets to hair texture: hair thickness, hair density (i.e. amount of hair), and hair curl. Here’s how to determine each facet, and what you should consider when getting a short style. Note that you’ll want to wash your hair and let it air dry before you do this. You can use a towel, but don’t heat-style! You are trying to get at your natural texture. Hair Thickness Hair thickness refers to the thickness of the individual hair strands. To test this, take a dry strand of hair and rub it between your fingertips. If you can barely feel it, you have thin hair. If you can feel it a little, you have average-thickness hair. By contrast, if you can feel it easily, you have thick hair. You can also tell this somewhat from visibility- a thin strand of hair will be hard to see, while a thicker strand is much more visible. Thinner hair usually needs more layering to give it body and prevent it from looking limp. Thicker hair can get away with blunter cuts as it naturally has more body. Hair Density Hair density is essentially how many strands of hair are growing out of your head per square inch. To check this, look in a mirror. A magnified mirror is ideal but not necessary. Take a chunk of hair in your hands and move it around so you can see the roots from multiple angles. If you can see a lot of your scalp between hairs, that’s low-density hair. If you can’t see your scalp hardly at all, that’s high hair density. Most people fall somewhere in the middle. There will be some variation in different places on your scalp, so you may want to check a few different areas to get an idea of your hair density as a whole. Hair density, combined with hair thickness, is what makes your ponytail fat or not. In general more hair (ie more density) = a thicker ponytail, but the thickness of individual strands also plays into this. Fine, high-density hair may make a thinner ponytail than thick, medium-density hair, for example. If your hair is lower-density, a shorter style (think pixie) actually makes it look like you have more hair, so that’s something to consider. Hair Curl Oprah Winfrey’s stylist Andre Walker created the most popular curl typing system. It has been expanded by others to include two additional number/letter combinations, 3C and 4C. First, you’ll determine your number from 1-4, and then your letter from A-C. The number describes your hair’s curliness level, and the letter describes its thickness. 1s have naturally straight hair with no bend or pattern to the strands. 2s have wavy strands. 3s have S-shaped curls. 4s have tight S- or Z-shaped curls. â€Å"A† hair is fine, â€Å"B† hair is medium thickness, and â€Å"C† hair is thick. So if you have wavy hair with medium thickness, that’s a 2B. Embrace the curl! Here’s a chart describing hair texture for each number/letter combination. Choose the one that best describes you: A - fine B - medium C - thick 1 - straight 1A: hair is very straight, very fine, without a lot of volume 1B: hair is mostly straight and medium thickness 1C: hair is straight and thick and resists curling 2 - waves 2A: A slight wave that sticks close to the head. Hair is fine and not particularly voluminous. 2B: More defined waves than 2A; can get frizzy at the crown. Curl definition easily lost. 2C: Coarse waves and a few curls. Doesn’t hold heat styling well and curl definition is easily lost. 3 - curls 3A: loose curls, hold heat styling well. 3B: tighter, corkscrew curls 3C: Super-tight spiral curls 4 - tight curls and coils 4A: Very tightly coiled curls; high density but fine and fragile strands 4B: Z-shaped coils with less of a visible curl pattern; lots of volume; prone to shrinkage 4C: tightly kinked, Z-shaped curls with little visible curl pattern; high density and volume, prone to shrinkage The more texture your hair has, the more carefully you should select a stylist. If you have curly hair (3 or 4), find a stylist who specializes in your hair texture because they will know how best to cut it. They may even cut it dry, since curly hair loses so much length when it dries versus when it’s wet. 13 Short Haircuts for Women In this section, we’ll go over 13 short hairstyles for women, from the shortest, with pixie haircuts, to the longest, with lob hairstyles. We’ll discuss which cuts flatter which face shapes and hair textures and provide tips on styling and maintenance. Pixie Haircuts and Other Super-Short Haircuts for Women Very short hairstyles for women are still considered somewhat unusual for women. However, they are gaining popularity, and they are flattering for many people. They really show off the face and the eyes in particular. If you have long hair now, you may want to start with a bob and make sure you like that before committing to a pixie or other short haircut. Hair grows back, of course. But growing out a very short haircut can be awkward and take a long time. A note on face shape: women with oblong faces will generally look best with something a little longer, like a bob or lob. This allows for some volume at the sides of the face. All other face shapes have several options to choose from among the shortest cuts. Closely Shaved Ah, the closely shaved head- possibly the most low-maintenance style in the world. While many women think of this as a fairly extreme look for only the punkiest of women, a glance at Lupita above shows that it can also pair well with polished elegance. Looks best on: This is one of the most versatile short hairstyles for black women or other women with natural hair (especially types 3c-onward) as it really shows off the texture beautifully. Women with sparse, low-density hair who want to make it look denser and thicker might also consider going with a super-short cut. In terms of face shapes, theoretically any shape can look good in this cut, although square and oval faces are probably the easily flattered. If you want to know if you would look good with a shaved head, pull your hair back into a super-tight, slick, ponytail. If you like the way it looks, you can probably pull off a shaved head. Avoid if: If you don’t like the way you look with a super-tight ponytail or your hair slicked back close to your head, a very close shave probably isn’t going to work for you. You may also want to avoid if you have a particularly prominent forehead that you feel self-conscious about. (The key point here is how you feel about it- Lupita has a high forehead but she looks great with her super short cut!) Image credits: gcdgraphics/ Wikimedia, x1klima/Flickr Women's Undercut This is a bold undercut hairstyle. Women may be nervous to get an undercut, but it can be a very flattering, unique style! The key to an undercut for women is to keep the look from being too severe. While it’s possible to have an undercut with hair of any length, we’re talking about an a style with shaved sides and/or back and longer hair on top. This is a fairly bold style; women who work in more professional fields may want to avoid this undercut. Women should also be aware that this is a look that requires a decent amount of styling and maintenance, as the longer parts on top usually need some level of styling to either give volume (if hair is straight) or keep things a little bit tamed (if hair has some texture). You’ll also need frequent haircuts, because if the shaved/short sections start to get too long, the whole haircut will look weird. Looks best on: This style can work well on women with a round, oval, diamond, or heart-shaped face. This look is also one of the best short hairstyles for thick hair; it works well with hair types that have a little bit of texture and body. Thus, it can be a great look for hair types 2b-4 as the wave or curl in the long section really contrasts nicely with the tighter lines of the shaved section. This makes it a great look for short wavy hair. As Rihanna demonstrates, this is another very trendy short haircut for black women. Avoid if: Avoid this haircut if you have a long face shape. The volume up top will just make your face look longer. Additionally, the look can sometimes be too severe on women with square-shaped faces. Fine and/or straight hair will look very limp in this style unless you do a lot of styling. That’s something you should keep in mind. Image credits: Growinnc/ Flickr, oouinouin/Wikimedia True Pixie Cut The true pixie cut- think Natalie Portman during the 2006 awards show season- is short all over. It may be just barely longer on top than the sides, but is still a very short cut. Looks best on: This cut looks particularly good on square and oval faces. This is one of the best short hairstyles for fine hair and/or low-density hair; it’s lightweight and just a little product will give it enough body. Avoid if: A true pixie cut is probably not your best bet if your hair is curly (anything 3+). A looser curl will be unruly; a tighter curl may give you a bit of a Keri Russell circa 1999/poodle situation. Short pixie cuts also not the best bet for those with round faces or heart-shaped faces. The next cut (the long-on-top pixie haircut) will flatter these ladies more. Long and diamond faces may be able to pull off a true, short pixie cut, but it’s a risky proposition. Additionally, you may want to go for something with more volume if you have a small head or are very tall. Image credit: Joella Marano/Wikimedia Long-on-Top Pixie A long pixie cut with most of the length on top is one of the most versatile and flattering cuts that there is. The longer hair on top can be sideswept (a great look on almost all women!) or spiked up. It can be smooth and sleek or big and wild. It’s also a favorite celebrity cut- most celebrity pixie haircuts are actually this style as opposed to the true, tighter pixie. This is the Ginnifer Goodwin long pixie cut, and it’s gorgeous. Looks best on: This look is flattering to women with heart, diamond, oval, and square faces. It’s one of the best short haircuts for round faces. I told you it was versatile! In terms of hair texture, a bit of a wave will style best. Avoid if: This is another cut to avoid if you have a long or oblong face. The volume up top really won’t work well for you. For texture, looser curls may be suited to the long-on-top pixie cut (think Audrey Tatou), but tighter curls will still run into the Keri Russell/poodle issue. Also, fine hair may need a lot of extra styling in this style to give the longer pieces enough body and volume. Image credits: Tomdog/Wikimedia, NASA/Bill Ingalls/Wikimedia, Georges Board/Wikimedia Bob Hairstyles Now we move on to the hardworking bob haircut. There’s a bob cut to flatter pretty much every face shape and hair texture; it’s one of the most versatile short haircuts for women. The bob haircut can be styled into 1930s glamour or something sleek and straight. You can wear a long bob hairstyle up or down. Bring on the bob hairstyles! Super-Short Bob Hair This super-short bob haircut, sported above by Rinko Kikuchi and Carey Mulligan, is right on the border between being a bob cut and a pixie cut. It has a sculptural quality. It’s a fairly structured cut with a lot of layering to avoid flatness, and most of the volume occurs at cheekbone level or above. However, it doesn’t always have to be sleek like Kikuchi’s. Carey Mulligan’s is a much softer version of a similar cut, stacked with less volume on top than Kikuchi’s. Kristen Stewart has also sported similar but much messier styles. This is an unusual cut best for a fairly bold woman. Looks best on: Short bob hairstyles work well on heart, diamond, and oval shaped faces as it calls attention to the cheekbones. Fine to medium-thickness hair that’s straight or a wavy will style the best in this cut. Avoid if: Skip short bob haircuts if your face is oblong- the volume doesn’t fall in quite the right place. Round and square faces look overly circular in this cut. Additionally, hair that’s too curly or has too-thick strands will turn into a puffy pouf. Image credits: Queryzo/Wikimedia, Mark Kari/Wikimedia Messy, Layered Bob Hair (With or Without Bangs) This is one of the cutest short curly haircuts. A messy bob cut with some choppy layers throughout can look great with or without bangs. It’s a very easy, wash-and-go style with a lot of pizzazz. Looks best on: This is a style that can work with all face shapes with some slight tweaks to length, layering, and bangs! Heart-shaped and oblong faces should opt for bangs. Square and round faces will want to go a little longer than the jaw. Round faces should also consider a side part. Diamond and oval faces can get away with most iterations of this cut. In terms of texture, this is a great look for short wavy hair. The natural texture is really highlighted and flattered by the choppy layers. Avoid if: While any face shape can get away with this cut, hair texture is an important aspect of this style. Hair that’s too straight, particularly if it doesn’t hold a wave or curl well, will just look choppy, uneven, and limp. Image credits: GabboT/Wikimedia, Unknownbrowser/Wikimedia Classic Bob Haircut The classic bob cut hits around chin level or just below, is a similar length all around, and has a little bit of layering at the ends to give the cut some shape and lift. Looks best on: This look is best on oval, diamond, heart, and round faces. With a side part, this is one of the most flattering short hairstyles for round faces. This look will work best (and be lowest maintenance) on hair that’s mostly straight. Avoid if: This cut hits in the wrong place for a square face, and there’s not enough volume at the sides for an oblong face shape. Curly hair will need more layering and shaping than this cut provides or they risk looking heavy and boxy. Image credits: Pabian/Wikimedia, Pabian/Wikimedia Angled Bob Haircut The angled bob cut that’s longer in the front and shorter in the back is another really classic cut. You can vary how layered the sides and back are, the length in front, the amount of length change from front to back, the texture, and whether or not you want bangs. Looks best on: This is another cut that looks great on just about everyone with some adjustments. Round or square faces should go for a cut that ends just an inch or two below the jaw and without too much volume at the sides, to elongate the face. Heart-shaped faces should consider this look with bangs. Oblong faces will want the front to be on the shorter side (at or above the jaw) with lots of volume on the sides and a pretty short back. Curly-haired oblong ladies will look the best in this look. Diamond and oval faces look good in most iterations of this cut, although some diamond ladies may consider bangs to keep from getting lost in their own hair and to provide a framing effect. This also works for most hair textures. A curly look will have a lot of volume at the sides, but the shorter length and layering in the back will keep it from looking too heavy or boxy. The volume at the sides makes it one of the most flattering short curly hairstyles for oblong faces. Straighter hair looks sleek and cool in this style. Avoid if: No one needs to avoid this style; just customize accordingly. Image credits: mattbuck/Wikimedia, Kurt Kulac/Wikimedia, Mohamed Adel/Flickr Blunt Bob Cut With Bangs This look involves a fairly blunt cut along the chin or a little lower and some eyebrow-skimming bangs. On thicker hair, it shows off volume and texture, on finer hair, it creates an ethereal, wispy look. Looks best on: This look works the best on an oblong face- the bangs plus the blunt volume at the sides really works well with your features. An oval face would also look great in this cut. Avoid if: The width of this cut will not flatter round and square faces. Additionally, those with very curly hair (3b+) will likely find that a blunt cut looks very boxy. Image credit: Pabian/Wikimedia Lob Haircuts A lob haircut is a long bob cut. The term lob generally refers to any cut that goes more than a couple inches past the jawline all the way down to shoulder-skimming styles. They can be a great way to test the waters of short hairstyles for women before going for an even shorter cut. Blunt Lob Haircut One of the most popular long bob haircuts is a straight-across blunt cut just above shoulder level, with or without bangs. Looks best on: This lob haircut is great on oblong and heart-shaped faces with bangs. An oval face can also rock it without bangs. This is a good cut for hair that’s straight or has somewhat of a wave. Avoid if: Like the blunt bob haircut, this cut won’t be particularly flattering to square or round faces. Drew Barrymore, above, has a round face, but her dark dip-dyed ends draw the eye downward to create an elongating effect with this cut. And curly girls should go for a style with more shape. Image credits: Walterlan Papetti/Wikimedia, Eva Rinaldi/Wikimedia, Courtney/Wikimedia Messy, Shaggy Lob Haircut This versatile long bob cut plays up the hair’s natural texture through messy, piece-y layers. It’s especially striking with a side part. Looks best on: This is a great look for short wavy hair. It also works well on a very loose curl. Lots of face shapes can get away with this one with a little tweaking. Long faces should consider bangs and get more layers up top. Heart-shaped faces should consider bangs and let layers soften the jawline. Round, diamond and square faces should all opt for the side part. Oval shapes can wear this one pretty much however. Avoid if: If hair is very straight, layers will look choppy. Image credits: Gage Skidmore/Wikimedia, Christopher Simon/Wikimedia, Gage Skidmore/Wikimedia Sleek Lob This sleek look is a pretty simple cut- a straight, smooth cut with just a little layering and weight removal at the ends to keep it light. Looks best on: Square, round, and oval faces will be flattered by the long, sleek lines of this look. Naturally straight hair shines here; this is one of the easiest short hairstyles for fine hair. Avoid if: This look won’t work very well with long faces as it may have an elongating effect. Diamond faces may look too severe behind a straight-cut curtain of hair. Hair also needs to be naturally straight or hold straight styles well. Image credits: NASA/Joel Kowsky/Wikimedia Layered Lob Haircut The layered lob is an elegant cut with a lot of shape and body. Smooth layers frame the face and give the cut volume and movement. Looks best on: This is one of the most versatile short layered haircuts as it can be adjusted for almost any style and face shape. Oblong faces should opt for shorter layers that add volume around the face, while round and square faces will look best in longer layers. Diamond and heart-shaped faces should consider a side-parted style. As per usual, oval faces can get away with pretty much anything. Avoid if: A pronounced wave or curl that’s resistant to heat styling may not work best in this look. Image credits: Renan Katayama/Wikimedia, Pabian/Wikimedia Tips for Getting a Short Haircut at the Salon Because short hair is less common on women, there are a couple of key tips to make sure your short haircut appointment goes smoothly. Research the Stylist Make sure the stylist you select has experience with both the cut type you want and your hair texture. If you’re going for a pixie, it’s probably not the time to go to a stylist who specializes in long, layered cuts. And especially if you have curly hair, it’s important that the stylist knows the proper techniques for cutting your hair texture. Otherwise, short curly hairstyles can end up looking very poodle-esque! To find a stylist, you can look online. I also recommend asking people whose hair you admire and want to emulate! Go In for a Consultation Many salons will allow you to come in for a free consultation before committing to the cut. This is a good idea as it will allow you to see if you vibe with the stylist and if you are on the same page in terms of what would look good with your hair. Be clear on how much maintenance and styling you are prepared to do, and listen to suggestions! It’s your hair and you should please yourself, but stylists are also trained to know what would look the best with your features. So if they suggest some adjustments, consider them. Bring a Picture Any time you are making a drastic hair change, you should bring photos whenever you talk to your stylist about what you want your hair to look like. So bring photos to your consultation, and to your haircut appointment. This will help your stylist know exactly what look you are going for and keep you on the same page. Make sure the stylist knows how short you want to go! How to Create Cute, Easy Hairstyles for Short Hair Once you’ve got this fancy new short cut, what can you do with it? This is a little bit constrained by how long it is. A lob haircut, for example, can still go into braided styles and updos, while a pixie cut can’t. However, here are a few things any short haired gal can do to play around with her look. We discuss some cute hairstyles for short hair in this section. Put in Some Product! Putting in some product to give more volume, a slightly different texture, etc, can give you a really different look. Pomade gives a piecey look to short hairstyles for women; some mousse and a little gel or hairspray will allow you to get height at the crown. For longer short haircuts, a salt spray gives beachy texture while a serum smooths. Experiment with different texturizing and smoothing products to see what you like best! Halle Berry by German Marin. Switch up the Texture With Heat Those with the shortest women’s short haircuts may not have an easy time doing this, but bobs and lobs can get a really different look with a blow dryer, a flat iron, or a curling iron. If you’ve got some curls, try ironing it straight. If you’re on the straighter side, try some big-barrel hollywood curls. This is an especially great option for special occasions, when you want to create a lot of oomph and wow. Marion Cotillard by Nicolas Genin. Use Cute Hair Accessories and Hats Headbands, barrettes, bows, bobby pins, and clips can make really cute short hairstyles. Because there’s less hair, accessories really stand out. Also, short hair is great for hats. Switching Up the Part Sometimes, all you need for a new look is to switch up your part! Making a deeper side part, moving from the middle to the side, or switching sides can all give you a fresh look without too much effort. Experiment and see what you like! Short Hair for Women: The Bottom Line Going short can be a bold, stylish, and empowering move for many women. Women with any age and style look great in shorter styles. The most important part of short hair for women is choosing the right style for you. You'll want to consider what will flatter your face shape and hair texture, how much time you have for styling and maintenance, and how you need to dress for work. You can go supershort with a pixie-like style, keep it around chin-length with a bob, or go past the chin with a long bob. When picking a stylist, be sure that they have experience with your hair type and that they have done the kind of cut you want before. And be willing to listen to their expertise! Overall, while a short haircut for women can be a bold move, it doesn't have to be a risky one! If you choose your cut and stylist carefully, you can be assured of a flattering, fun result.

CRITICAL PERSPECTIVES ON MANAGEMENT AND LEADERSHIP Essay

CRITICAL PERSPECTIVES ON MANAGEMENT AND LEADERSHIP - Essay Example CSM has a global nature which is quite relevant nowadays. Thus CSM doesn’t consider any special aspect of management; it concerns all spheres of management. Diverse perspectives, numerous issues, interpretations of gained management knowledge are important distinctive features of CSM. A period signified by occurrence of CSM is also known as a period of â€Å"post-modernism† and â€Å"post-structuralism† (Rosenau, 1992). This can be explained by changes emerged in Western societies. Thus there is a tendency to flexibility, hybridism and globalization (Sheppard, 2002).The main idea of post-modernism is an excess of instrumentalism in bureaucratic society. As a result creative thinking and perspectives are oppressed. Post-structuralism criticizes oppression of creative imagination as well. Post-modernistic ideas of CSM are directed on the search of diversity and respect of all kinds of beliefs, traditions and nations. Diverse values of modern society should be all equal. The same principles are relevant to post-modern organizations. On the example of post-modern organizations, the main principles of generally accepted managerial and leadership practices are discussed. Moreover, Weber’s theory and his considerations about organization’s st ructures and kinds of leadership are projected on modern practices of the business world. In order to show crucial role of CSM in modern business world, it is relevant to choose a certain theory which is of great importance for historical and modern critics and which is popular nowadays. Max Weber’s Theory is chosen to draw parallels between relevance of his principles in old and current days. In the middle of twentieth century Weber propagated prevalence of knowledge in the process of bureaucratic administration. â€Å"For the sociologist, power is principally exemplified within organizations by the process of control† (Weber, 1947). Max Weber’s theory

Marketing Environment Essay Example | Topics and Well Written Essays - 1750 words

Marketing Environment - Essay Example The work is about marketing. It defines the term marketing and dwells on its strategies. The author describes factors that still need to be considered for a business organization to reach out easier to their target market, because looking into the characteristics and thought processes of the people still holds as the most significant factor to be looked into by the individuals in the field of sales and marketing. The researcher singles out such factors as quality of a product/service, reliability of a product/service, and attraction of a product/service. At the same time while taking-care of the customer’s choice a lot of other factors have also to be considered. Those factors are the social, legal, economic, political and technological factors. The social factor basically means which classes of people are being targeted by the organization that is making that particular brand - whether it is the upper-class or the upper-middle class, middle-class or the lower class. Gaining t he trust of the local government and reviewing the economic policies and legal matters that govern the country in which the product or service will be made available will be a strong ground from which the advertisers can make as a take off point. The tremendous growth of technological advancement has become the driving force of contemporary industries. The diffusion of the internet has revolutionized the business arena. The author provides PESTLE analysis of the "mother care" brand.

Valuation methods and approaches tehcniques of tesco plc Essay

Valuation methods and approaches tehcniques of tesco plc - Essay Example Tesco plc is a super market firm in the London Stock Exchange, and it is very essential to evaluate the financial approaches and techniques of the entity. Capital budgeting of an entity means planning for capital assets. The decision about capital budgeting helps to determine whether or not the money should be invested in long term projects. As far as the Research and Development projects of Tesco plc is taken in to consideration, for the purpose of taking the better decision, the fundamental project evaluation techniques like Pay back period, ARR (Accounting or Average Rate of Return), NPV (Net Present Value), or IRR (Internal Rate of Return) is applicable. From this fact it is clear that under the present value method, the present value of all cash in flows is compared against the present value of all cash outflows. The difference between the present value of cash inflows and out flows are known as the net present value. The discount rate for obtaining the present value is some desired rate of return which may be equal to the cost of capital of a company. In addition to this, it is necessary to consider about the concepts like book value, market value, present value, price earning ratio etc. for analyzing the financial viability of Tesco plc. There is a great difference between both concepts like book value as well as market value in case of accounting point of view. The weights to be used can be either book value weights or market value weights. Book value weights are easier to calculate and can be applied consistently. Market value weights are supposed to be superior to book value weights as component costs are opportunity costs and market values reflect economic values. However these weights fluctuate frequently and fluctuations are wide in nature. Both the concept of book value and market value is differ, because book value of the firm or book value weights remains constant, but the market value weights are goes on fluctuating. While computing WACC,

The Role Of Women In Religion Religion Essay

The Role Of Women In Religion Religion Essay Religion has been apparent and ever developing since the beginning of man. Both woman and man have contributed to that development and believed in a higher power to explain their own existence. Now, with the different variations on religion and separation in belief, women and men have taken on different roles that are distinct to their particular faith. Often, among all religions, mans role has been superior to that of women. All of the worlds major religions depreciate women to some degree; so what role do women play in religion? And what impact have they had? In examining three of the worlds major religions: Christianity, Hinduism and Buddhism, this paper will compare and contrast the role of women as well as discuss any influence women have had in the development of each faith. How Women Are Viewed? The view of women on the Hindu religion has changed over the course of history several times. The view of women was sometimes, but not always positive. In the earlier Upanishad Age they seemed to have been given more respect than in later times. According to the Hindu religion, a woman is the form of energy or an aspect of Shakti. In many Hindu scripture she is both upheld and respected. High opinion is especially given to women who are mothers and disrespect of her is considered unforgiveable. One Hindu scripture states, All other sins are expiable but he who is cursed the mother never liberated. Another Hindu scripture ranks the value of a woman over that of a man stating, An outcast father may be forsaken, but not the mother, she is never an outcast to the son. Many other religions do not hold the respect of woman over that of men. The Buddhist religion for example, states very little about women. This is not because the Buddhism refuses to recognize women but rather that they strive to have equality among women and men. Thus the scripture speaks of the human race as a whole and makes little distinction between genders. In one scripture, the Visuddhi Magga, a monk asked, Reverend Sir, have you seen a woman pass this way? And the elder said: Was it a woman or a man that passed this way? I cannot tell. But this I know, a set of bones is travelling upon this road. (Mohr, Tsedroen, 2010) In comparison to the Buddhist religion, Christianity also strives for an equal and positive view of women. In the Old Testament the creation of man is explained and represents both women and men as equally valuable. It states, Then God said, Let us make man in our image, in our likeness, and let them rule over the fish of the sea and the birds of the air, over the livestock, over all the earth, and over all the creatures that move along the ground. So God created man in his own image, in the image of God he created him; male and female he created them, (Genesis 1:26-27.) In society, Christian women have rules and laws to abide by. Christian women are instructed by God to conduct themselves modestly, as a witness of God to unbelievers. Your beauty should not come from outward adornment, such as braided hair and the wearing of gold jewelry and fine clothes. Instead, it should be that of your inner self, the unfading beauty of the gentle and quiet spirit which is of great worth in God s ight. (1 Peter 3:3-4). Christians do not try to earn merit in order that there good deeds may outweigh their bad. Roles of Women Women played many different roles in the history of the Hindu religion. During childhood she is under her parents care but when she marries she becomes the sole responsibility and property of her husband. As his wife, she takes on four different roles. Her roles include; servant to her husband in duty, minister in decision making, as a mother to his children and lover in his bed. Women in the Hindu religion are expected to act and speak with respect for their husband as well as other men. (Sharma, Libraries, 2001) In the days of the Buddha, other religious teachers had also spoken on the duties and obligations of a wife towards her husband. They stressed that it is the particular duty of a wife to bear an off-spring for the husband, and render him faithful service and to provide conjugal happiness. The teachings of the Buddha were not as biased towards the husbands. In the Singalovada Sutta, the Buddha had clearly stated both the duties of the husband towards the wife and vice versa. On the part of the husband, he should be faithful, courteous and not despising. It is the husbands duty to hand over authority to his wife; and from time to time, provide her with adornments. Therefore, we witness the unbiased attitude shown by the Buddha towards both men and women. (Yifa, Yifa, 2010) In the Christian faith there is a contrasting perspective. Women, though viewed as equal to men in value in the eyes of God are given unequal roles. In Genesis 2, there is a more detailed account of the creation of Adam and Eve and discloses the differences in their purpose and responsibilities as given by God himself. The general idea is that God did not create the man and the woman at the same time, but rather He created Adam first and Eve later for the specific purpose of being Adams helper. Eve was equal to Adam, but she was given the role and duty of submitting to him. The womans one and only role in the Christian religion is to be submissive to her husband and be a good helpmate to him. (House, 1995) A woman has no role in the church that is ruled and dictated only by men. The Christian woman is instructed by scripture to remain silent in matters of the church. 1 Corinthians of the Bible states, Let your women keep silent in the churches, for they are not permitted to speak; bu t they are to be submissive, as the law also says. Women in Religious and Leadership Roles The leadership and religious roles of women in all three religions have changed over the course of history. Women in early Hinduism were very well respected. They took part in the royal court, and they were not afraid to push an issue until they were fully satisfied with the answer. These teachers were wise and well valued by other philosophers, of both the male and female genders. These women also contributed to how the various sacred teachings of Hinduism were brought down through the generations. Over the years, the situation surrounding Hindu women is gradually changing. They are gaining respect in both politics and religion and share an equal status with men. In some cases they enjoy more opportunities than women in many western countries. (Sharma, Libraries, 2001) Advances are also being made for women in the Buddhist religion. The Buddha opened the gates for the full participation of women in the field of religion by making them eligible for admission into the Bhikkhuni Sangha the Order of Nuns. This opened new paths of culture, social services and opportunities for public life to women It led implicitly to the credit of their importance to society, and in doing so enhanced the status of women .It was said that under circumstances women are considered wiser and discerning than men, and that they are also capable of attaining perfection or sainthood treading the Noble Eight fold Path. (Yifa, Yifa, 2010) When King Kosala found that he had a daughter Instead of a son, the Buddha pointed out not only their weaknesses but also their potential. The Buddha clearly showed that women are capable of understanding his teachings and also to practice them to some degree of spiritual attainment. (Mohr, Tsedroen, 2010) The modern era of Buddhism is much different than in the days of the Buddha. Womens liberation, their quest for freedom and equality achieved tremendous strides mostly in the West. This came about as the result of modern trends and thinking, and modern education for women in all areas of higher learning. Like women in Hinduism and Buddhism, women in Christianity have gained better status and new roles in religion. In fact, women in Christianity may have made the most progress over history. In the early development of Christianity, women were told to take on the submissive role and only he a helper to their husbands. The womans role in the church was nonexistent and has now risen to a point where she can obtain roles as a minister and/or dean in the church. The Christian woman also has a voice that is respected and valued in making decisions. In conclusion women of all three religions were historically not given the value and respect that men were, but have all gained new status and roles in their religion. Women throughout history have played different roles in different religion, but most of the time women were submissive to men. Women would never dream of becoming a minister or involved in the leadership of the religion regardless which religion it was. Today, women play more roles in leadership than ever before.

Moma Visit – Compare and Contrast Paintings

MoMA visit – Visual analysis Art is an effective way to express beauty. Artists have different ways to express their ideas and communicate nonverbally through their work. In the Early Modern Art period, artists were free to create their pieces in diverse ways that never had been done before. For this essay, I chose the works of two artists of this period to compare and contrast so that the diversity of Modern art can be demonstrated.Even though Vincent Van Gogh and Rene Magritte was born forty five years apart from each other and had different styles, I am interested in analyzing â€Å"The Starry Night† (Vincent van Gogh) and â€Å"The Empire of Light, ii† (Rene Magritte) after my trip to the Museum of Modern Art. At the first analysis, I would like to discuss the famous painting â€Å"The Starry Night† (1889) by Van Gogh. This painting is in oil on canvas and has the dimensions of 73. 7  cm ? 92. 1  cm. Van Gogh depicts the town in Rhone under gasligh t and reflected in the blue river.As it is displayed at MoMA, â€Å"The Starry Night† attracts a great number of visitors to its mysterious blue spirals. The focus of the painting is quite high as the first point drawn to the viewer is at the sky. The spirals meet with each other and the yellow stars are bright throughout the dark blue sky. Van Gogh uses thick brush strokes to draw the mysterious spirals, which occupy most of the center of the painting. The enormous spirals are reproduced images of moving waves in the ocean, but also induce a whirling movement. This technique plays a significant part to create the chaotically moving effect for the picture.Most people who see this picture for the first time feel that the whole scenery somehow shifts, even though it is a still life painting. Moving my view point from the mysterious spirals, I can see the big, extremely dark green cypress tree located in the right part of the picture. Cypress appears in Van gogh’s picture often such as in the â€Å"Cypresses† and â€Å"Wheatfield with cypresses. † Unlike these two pictures above, he uses similar sinuous curves tortured from full cycles one after another in this one to reproduce the brush stroke he uses in the spirals.In the bottom one third of the painting, Rhone town at midnight is peaceful in blue. The clearest part we can see at this town is the church and its bell tower. Although the church only consists of simple sketches, it seems to be the most complicated fragment in the painting. The bell tower points up to the sky and draws attention of the viewers to the spirals once again. Secondly, the next painting I would like to mention is â€Å"The Empire of Light ii† (1950) of Rene Magritte. Its dimensions are of 78. 8 x 99. 1 cm. Magritte wants to demonstrate a nocturnal scene under a daytime sky.When I first saw the painting, the initial thought that came through my mind was to admire the peaceful scenery of an ordinary small town. Then I noticed the paradox in the painting. The upper half of the painting is the light blue sky of a peaceful day with floating white clouds. However, the bottom half is a small town at midnight. Houses and trees are all covered with dark hue as if it is late at night. The town looks as if it has already gone to sleep. The thin and precise brush strokes that Magritte adroitly use make the picture look as real as a photo. The closer and longer I look at the painting, the more confused I become.The serenity of the deep-sleeping town, which is dimly lit by the antique street light, along with the floating clouds, makes me feel so calm and peaceful that I am persuaded into its reality. However, I am still able to notice the contrast between day and night in two halves of the painting. This confusion is the result of the eyes tricked to believe in what we see. The placement of day and night remarkably reminds us about our conscious mind that we use in everyday life, and about our lit unconscious mind that waits for us to use it to brighten our senses.This painting conceals Magritte’s psyche that â€Å"The mind loves the unknown. It loves images whose meaning is unknown, since the meaning of the mind itself is unknown. † On the one hand, there are similarities between two paintings that I notice. Firstly, both painters use oil on canvas for the paintings. They also have the approximate dimensions of about 70cmx95cm. Secondly, mystery is an important fact that makes the two paintings worth seeing. People cannot resist taking a look at the spirals and following the moving effect of the whole picture when seeing â€Å"The Starry Night. The spirals themselves are mysterious since they are echoed the movement of ocean waves. Similarly, ‘The Empire of Light, ii† makes spectators wonder the reality of a nocturnal scene of a small town under a sunny day. Their minds are tricked to believe in the true-to-life scene as well as to question th e paradox. In addition, luminosity is created successfully in two paintings. In â€Å"The Starry Night†, the moon and the stars illuminate the sky as stars and moon are in concentric circles and contrary to the dark blue sky surrounding.The moon is placed at the top right corner of the painting, where the sun usually appears, and produces light together with the stars. Correspondingly, in Magritte’s, light comes from the title of the painting itself. The lamppost, as well as the windows’ dim light, creates the luminosity standing alone in the dark night. Finally, even though both paintings have no sign of human and animals, motion still appears clearly. The whole â€Å"Starry Night† is a chaos, moving and moving freely, while the floating clouds in the sunny sky in the upper half of the painting prevents â€Å"The Empire of Light, ii† from lacking in movement.On the other hand, each picture has its own quality. The first difference between the two paintings is the brush stroke. Vincent van Gogh uses the thick brush stroke in â€Å"The Starry Night,† especially when painting the spirals and the cypress, while Magritte’s extremely thin brush stroke appears everywhere in the painting. As a result, the surfaces of two paintings are different; rough in â€Å"The Starry Night† and smooth in â€Å"The Empire of light, ii. † Also, while â€Å"The Starry Night† has an open shape, â€Å"The Empire of Light, ii† is closed-shaped. In â€Å"Starry Night,† there are no edges coming between the stars and the sky.They just merge with one another and create a beautiful â€Å"Starry Night. † However, the thin brush strokes in â€Å"The Empire of Light† identify all objects distinctively. Edges are clear between houses; clouds and sky are clearly recognized. Thirdly, although both painters use blue, the hue, value and intensity are different. Blue is the spiritual color in â€Å"Th e starry night,† and Van Gogh uses blue that varies from the darkest in the town to the lightest in the inside of the spirals. Blue is also diverse in the sky, together with yellow to make a sky lively.Magritte, however, uses just one value of light blue to paint his sky in a sunny day and the sky looks serene. Last but not least, even though both paintings depict the same subject of a small town at midnight, each painting represents a different style. While â€Å"the starry night† of Van Gogh follows post-impressionism – a style that combines the elements of Impressionism with those of non-Europe to create their own way – â€Å"The Empire of Light, ii† of Magritte is surrealist, whose purposes are to describe the irrational, to examine perception and to create the word and image relationship.In conclusion, â€Å"The starry night† of Vincent van Gogh and â€Å"The Empire of Light, ii† are expressions of aesthetic values. The paintings, either post-impressionist or surrealist, represent the painters’ own way of self-expression and their own way to communicate with the spectators nonverbally. Reference 1. Van Gogh’s letters http://vangoghletters. org/vg/letters/let693/letter. html http://vangoghletters. org/vg/letters/let782/letter. html 2. Magritte’s quotes http://www. rene-magritte. org/rene-magritte-quotes. jsp 3. Other http://www. moma. org/collection/object. php? object_id=78456 http://www. all-art. rg/art_20th_century/magritte1. html The starry night – Vincent van Gogh The Empire of Light, ii – Rene Magritte Claude Monet – Contextual factors influenced his style Claude Monet (1840-1926) was a French artist, who was considered a leader of the Impressionism movement as this style was named after his painting â€Å"Impression, Sunrise† (1872). He is one of the typical artists to mention when we discuss the Early Modern art era. I would like to analyze the contextu al factors that affect his style of painting. First of all, the political circumstances in France from 1870s had effects on Monet’s style.During the Franco-Prussian War (1871-1872), Monet came to England with Pissarro for shelter. He met the dealer Durand Ruel, who then became a great advocator of the Impressionists. Also in England, Monet had chance to study the works of John Constable and Joseph Mallord William Turner, which inspired his innovations in study of colors. After spending a summer (1971) in Amsterdam, Holland, he returned to French, which was damaged by the civil war. He stayed in Argenteuil, which was an industrially growing town near the Seine river until 1878.From 1872-1878, Argenteuil was a center for Impressionist painters to gather after Monet published his painting â€Å"Impression, Sunrise† depicted the Seine river. In addition, innovations in painting manufacture were introduced in public in 19th century. In 1841, John Rahn invented the collapsib le tin paint tube, which revolutionized the color palette and technique of  plein-air oil painting  by offering a range of pre-mixed colors in a convenient medium. This is a major factor to emerge Impressionism. Monet used this plein-air painting as a elementary principle of his art in 1860s,.He sought to combine his Realist investigation with the possibilities of creating a new style of painting. In the paintings produced at La Grenouillere at 1869, Monet found a way establish a challenging tension between appearances and painterly invention that proved sufficient basis for the developed Impressionist manner of the 1870s and after. In 1870s, Monet’s brush stroke became smaller and more diverse. He also tried to conduct experiments to control value contrasts. These experiments with color were played off against and within a traditional framework, essentially perspectives in nature.Finally, 19th century marked the emergence of photography, which had a major effect on Moder n Art. In the first half of the century, cameras were introduced continuously and rapidly improved. For example, in 1814, Joseph Niepce used his  camera obscura  to take picture, but the image required eight hours of light exposure and later faded. In 1851, Frederick Scott Archer invented the  Collodion process, in which images required only two or three seconds of light exposure. Thus, painters were in need of seeking new techniques to innovate their painting. They had to prove that paintings might not be replaced by photos.Thus, Monet sought a way to break the old rules of traditional painting. His brush strokes became thinner; the closed shape in traditional painting became more open as the boundaries between objects were more obscure, as we can see in his â€Å"Impression, Sunrise. † According to the contemporary critics, the painting was rather a sketch than a complete work of art. However, this painting was the first impressionist to be presented. In conclusion, t he political circumstances and developing technique are two crucial factors that affect the style of Monet Claude.After his first painting in 1972, Impressionism became his style for his later life. Work cited MoMA – Monet Claud’s biography http://www. moma. org/collection/artist. php? artist_id=4058 http://www. claude-monet. com/index. jsp House, John, et al. :  Monet in the 20th century, page 2, Yale University Press, 1998 http://www. visual-arts-cork. com/artist-paints/colour-palette-nineteenth-century. htm http://library. brown. edu/cds/paris/finearts. html#impressionism http://inventors. about. com/od/pstartinventions/a/Photography. htm

Creoles & language evolution process Essay

Creoles have generally been considered to have more complex formation processes than pidgins, which lie at an earlier stage in the language evolution process (Culpeper, 1997). The processes that drive the development of creoles and pidgins have been the subject of interest and debate to linguists for many decades. Some have hypothesized that the development of these forms has been driven by variables similar to those that drive the creation of languages. Some of these hypotheses have included biological approaches to creole and pidgin evolution, while others have posited synchronic methods (Adone & Vainikka, 1999; Bickerton, 1999). Many of these synchronic and biological ideas are compelling highly challenging in their plausibility, employing ideas related to Universal Grammar as a means of illuminating creole and pidgin development. The development of pidgins has been considered to be less difficult to understand than that of creoles, mainly because of the precise phenomenon that pidgins describe. As a language form that develops from the mixing of two distinct languages, many have simply considered it to occur as a result of the mixing of two (or more) people groups that possess distinct languages. Yet, some complexity exists in the different scales to which pidgins might develop (Adone & Vainikka, 1999). Furthermore, it is interesting to note that when the languages of a bilingual child develop, even at an early age, that child generally distinguishes between the two perfectly without mixing them (Culpeper, 1997). When languages exist together on larger scales could be when pidgins are more likely to develop, and this appears to stem from the likelihood that the multiplicity of languages is intelligible by a wider range of persons. When this is the case, it creates no real need for any one speaker to make the effort distinguish between them for purposes of being understood. Despite the fact that pidgins and creoles are distinct language forms, many consider pidgins as a form that occurs on the way to the formation of a creole. In fact, the definition of creolization given by Adone and Vainikka is â€Å"the process by which pidgins develop into creole languages† (1999, p. 76). Discussions regarding the relationship that creolization bears to language acquisition processes and language development have led to two distinct schools of thought. One has viewed creolizaiton as being an extended process that takes several generations to mature. Indeed, this process never ends but continues to develop alongside the development of the particular culture in which it occurs. The other school of thought has viewed the process of creolization as on that has the potential to occur suddenly, within only one generation (1999). The gradual development of creoles appears to be more consistent with the prevailing theories of language development. If creoles are viewed according to the definition above (as a product of pidgin development) then it would appear that such a fast development of the language would be very difficult. Such speedy development would afford little time for the creation of the pidgin itself before its further evolution into a fully developed creole. The mixing of more than one language appears to be a phenomenon that would take quite some time, as this would involve a certain degree of standardization concerning which parts of each language should be included in this pidgin. In addition, it would appear that more than one generation would be needed to allow the general spread of this understanding among the population. However, it would also seem that geographical and population-density concerns would have a bearing on the ability of the creole to develop and suffuse an entire region. It may also depend on the demographic of the individuals who act as the agents of this development. Those theorists who believe that creolization has the potential to develop within one generation have cited young children as being the agents of such change (Bickerton, 1991, cited in Adone & Vainikka, 1999). This researcher argues that this form of â€Å"radical creole† develops through a Bioprogram that operates very closely with the theory of Universal Grammar. Such a development, therefore, is based on humans’ innate understanding of language, which is to some degree distinct from the language that is learned in any given cultural context. Because this theory posits humans as having a relationship to grammar that transcends the grammar rules of any given language, the development of a particular radical creole would be based on the similarity of the language variation put forth by each child despite the fact that they may not grow up in close proximity to each other (1991; 1999). This particular view of creolization is based on language evolution theories that take a biological or even genetic approach to language change (Mufwene, 2001; 2006). In the creole form used in Mauritius, for instance, the children have been found to make fewer â€Å"mistakes† that represent a non-conformity to the language than those found in many standardized, non-creole language (Adone & Vainikka, 1999; Bickerton, 1999). Bickerton writes, â€Å"Children acquiring English and other noncreole languages make a number of â€Å"mistakes,† a very high percentage of which would be fully grammatical utterances if the children were acquiring a creole language† (1999, p. 66). The opposite of this does not appear to be true—children acquiring creole languages do not make as many mistakes that would be considered grammatical in a noncreole language such as English or French (1999). It would seem therefore that creole might be considered a more naturally occurring form of a given language as distilled through the human’s biological propensity toward language expression. However, while this supports the idea of Universal Grammar, it does not appear to offer much support of radical creolization, as the Mauritian Creole has been evolving for many generations. Creoles and pidgins are interesting in that they offer insight into the earlier stages of language development. Many ideas exist concerning the classification of these language forms. Theories also exist concerning how such forms are developed, as well as the relationship they have to each other and to the languages on which they are based. Biological and synchronic approaches have both pointed toward the idea of Universal Grammar as having a bearing on the development of these forms of language, and intriguing (yet inconclusive) discussions have come about as a result of research done in that direction. . References Adone, D. & A. Vainikka. (1999). â€Å"Acquisition of Wh-questions in Mauritian creole. † Language creation and language change: creolization, diachrony, and development. Boston: MIT Press. p. 75-95. Bickerton, D. (1999). â€Å"How to acquire language without positive evidence: what acquisitionists can learn from creoles. Language creation and language change: creolization, diachrony, and development. Boston: MIT Press. p. 49-75. Bickerton, D. (1991). â€Å"Haunted by the specter of creole genesis. † Behavioral and Brain Sciences. 14: 364-366. Culpeper, J. (1997). History of English. Oxford: Routledge. Mufwene, S. S. (2001). The Ecology of Language Evolution. Cambridge: Cambridge UP. Mufwene, S. S. (2006). Language evolution : the population genetics way. Marges linguistiques, 11, 243-260.

Muslim Girls essays

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